Power Outside The Matrix: The Guts of a Writer
by Jon Rappoport
To order my mega-collection Power Outside The Matrix, click here.
Yes, I believe my collection, Power Outside The Matrix can help people who want to become writers or much better writers. I did my best to make it a rocket for writers.
A writer can invoke all sorts of reasons to stop writing. He can choose from thousands of excuses.
But I want to focus on the type of excuse that comes from evidence. For example, over a period of years, the writer has accumulated information that leads him to believe the human race is doomed and nothing can be done to change that.
Therefore, why write?
Why? Because there is a higher priority. YOU FIGHT, NO MATTER WHAT.
Once you digest THAT, you’re back in business.
And of course, there is counter-evidence, too, because the war for freedom that has been going on since people lived in caves is never over. We’re talking about the long and true view. 10,000, 20,000 years into the future.
I’ve known writers who gave up because they turned into dyed in the wool cynics. They gave away everything. They submitted to “an objective assessment of humanity.”
But writing isn’t objective. It never was.
It can use facts, but that’s just the beginning of what it is.
Writing is ultimately about writers.
When is commitment really a commitment? When it carries the day, come hell or high water.
If a writer has that, everything else falls into place. If he doesn’t have that, nothing works. It falls apart.
I’ve been writing for 67 years. On perhaps half of all those days, I paused—TEMPORARILY. I had nothing in mind—FOR THE MOMENT. But I knew that an idea, a thought, a phrase would come to me, and then I’d be off and running again.
And it did, and I was, usually in a matter of hours.
Because I wanted to write. Because I was committed.
You keep going long enough, for enough years, and your energy expands. It doesn’t fade away. You can do more, not less.
You SEE that problems, troubles, and excuses are NOTHING compared to your commitment and desire. It’s no contest.
No writer thinks reality is just fine as it is. He’s always reaching for more. He’s always overturning reality.
And there is much to overturn, at many levels. There is no lack of material to work with.
Society at large is always holding out its hand and making promises involving: surrender, giving in; allied with perks, freebies, groups to join, causes to uphold, victim plot lines to embroider. All of THAT is sensational material a writer can work with. As long as he doesn’t take the bait himself.
“Should I sit down and write 5000 words or eat the cotton-candy of the State?”
“Should I remain an individual or disappear into a group?”
The voice of a writer has clear answers. It engraves those answers for public consumption.
It announces that something the State can never touch will never die.
My instructions to writers in my Power Outside The Matrix collection aren’t a cage you climb into.
Don’t think about writing as a cage.
You’re outside, not inside.
That should be why you’re a writer.
In my tutorial, I’m not laying down hard and fast rules. I’m not asking for obedience. I give you tools, but you decide how to use them. And you never become a slave to your tools.
If you do opt for slavery, your writing is going to strike the ear in an artificial way. It won’t ring bells. It’ll clang. It’ll come across as trumped-up.
I aim to liberate writers, not pin them down.
Once you feel free and write free, you can shape your work in all sorts of different ways. If you start out trying to shape your work, you’ll stall and dead end.
You’re not aiming to be a trained monkey.
We already have far too many of those.
And let me say something about the craft of writing. You know where you pick that up? From reading other writers. It comes through to you by osmosis. It’s the way a child learns to speak. He listens to people speaking, and he grasps what’s happening.
It’s wholesale, not retail.
Faith, self-belief, and determination are wellsprings of a writer. And when faith falters, determination is the key. You’re going to write, no matter what, come hell or high water.
In Power Outside The Matrix, my goal is to transmit the electricity of being a writer. In all my discussions, I come back to that.
Because, you see, being a writer is a LIFE.
It’s not just a career. The career comes out of the life.
Far too many people in this world opt for a career and then try to make a life out of it. That’s normal. That’s standard. That’s a long street that narrows and turns into an alley that ends at a blank wall.
If I loaded you down with tips and tricks and rules, I’d be directing you to that alley. I’d never do that.
If you order Power Outside The Matrix, dive into it. My aim is bringing out the writer in you—bringing out the life of the writer, so you see it and see it as your own and nobody else’s.
Writers give us what we need.
And one more thing for now. Writers say to us, “You can sit there and pretend you don’t know what I’m talking about, you can pretend you’re dumb, but I know something is getting through. And whatever that something is, it’s ESSENTIAL. It makes all the difference. It’s a glimpse of what you really want.”
Here are the full contents of my mega-collection Power Outside The Matrix. You can order it here:
Here are the contents of Power Outside The Matrix:
These are audio presentations. 55 total hours.
* Writer’s Tutorial (8.5-hours)
* Analyzing Information in the Age of Disinformation (11.5-hours)
* Power Outside The Matrix and The Invention of New Reality (6.5-hours)
Then you will receive the following audio presentations I have previously done:
* The Third Philosophy of Imagination (1-hour)
* The Infinite Imagination (3-hours)
* The Mass Projection of Events (1.5-hours)
* The Decentralization of Power (1.5-hours)
* Creating the Future (6-hours)
* Pictures of Reality (6-hours)
* The Real History of America (2-hours)
* Corporations: The New Gods (7.5-hours)
I have included an additional bonus section:
* The complete text (331 pages) of AIDS INC., the book that exposed a conspiracy of scientific fraud deep within the medical research establishment. The book has become a sought-after item, since its publication in 1988. It contains material about viruses, medical testing, and the invention of disease that is, now and in the future, vital to our understanding of phony epidemics arising in our midst (and how to analyze them). I assure you, the revelations in the book will surprise you; they cut much deeper and are more subtle than “virus made in a lab” scenarios.
* A 2-hour radio interview I did on AIDS in Dec 1987 with host Roy Tuckman on KPFK in Los Angeles, California.
* My book, The Secret Behind Secret Societies
(All the audio presentations are mp3 files and the books are pdf files. You download the files upon purchase. You’ll receive an email with a link to the entire collection.)
This is about your power. Not as an abstract idea, but as a living core of your being. This is about accessing that power and using it to invent realities without end.
That’s what Power Outside The Matrix is all about.
— Jon Rappoport
The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.